Teumessian Fox & Laelaps

as retold in The Metamorphoses of Ovid

 

In Ancient times, Immortals punished entire populations for the impudence of heroes, those half-breed mortals born of divine love affairs. When heroic Oedipus solved the Sphinx’s riddle and drove her to suicide, it unsettled Themis’ sense of worldly order. The Titaness cursed Oedipus’ country with a ravaging vixen, an enchanted, invincible fox no hunter could catch. Another hero named Cephalus set against this fox a contrary magical beast, an invincible hound*. Gods created both animals. How do gods resolve the paradox of their making?

 

Cephalus tells the story:

And so [Themis] sent another pest to plague

the Thebans: a ferocious fox that filled

the countrymen with terror, threatening

their herds and their own lives. And to their aid,

we came, young warriors, from the lands nearby.

We ringed their fields with nets to trap the fox,

but she leaped over them — across the top.

Then we unleashed our hounds to track her down,

but she — swift as a bird — outraced the pack.

So all my comrades asked me to release

the gift hound I’d received: his name was Laelaps.

For some time now, he’d strained against the leash —

his neck was tugging hard. I set him free —

and we lost sight of him, such was his speed:

the warm dust showed the imprint of his feet,

but Laelaps’ self was nowhere to be seen.

No pellet from a sling, no slender shaft

sent flying from a Cretan bow, no lance

has ever flown more swiftly than Laelaps.

There is a hill whose summit overlooks

all the surrounding fields; I reached the top;

from there I watched a most uncommon chase:

the fox seems to be caught, but now she slips

away — just when the hound has firmed his grip.

The wily fox seeks no straight-line escape

but twists and turns to trick his jaws, to blunt

the force of his attack. He’s at her heels;

he is as fast; he seems to catch her, yet

he has not caught her: as he bites, his teeth

snap shut on empty air. I now prepared

to use my javelin: I balanced it

in my right hand; my fingers tried to slip

into the loop; my eyes were turned aside

from that strange chase, and when I lifted them

again to take aim with my javelin,

amid the fields I saw a miracle,

two marble statues: one in flight, whereas

the other statue barked — you could have said.

Some god — if any god was there to watch —

had surely seen the pair so closely matched

that neither of the two could win that test.

— translation by Allen Mandelbaum

 

No story is told the same way twice. In The Constellations, the Roman Eratosthenes writes, “Caught in a dilemma, Zeus turned the fox to stone and placed the dog among the stars,” creating Canis major*. Hyginus, another Roman and author of Poetic Astronomy, implies that both fox and hound became constellations, after having been hardened to stone: “[Zeus], in a quandary, changed both to stone,” and the three stars of Canis minor were “seen to rise before the Great Dog.” Of course other stories say differently, that the Canis constellations are simply two dogs belonging to the great hunter Orion.

Vixen did finally get her own constellation, Vulpecula* when 17th century astronomer Johannes Hevelius, aided by the telescope, named a group of stars so faint they could not draw the attention of the Ancients.

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P&P: Teumessian Fox & Laelaps